5 Reasons Why I Keep A Sketchbook

There are a variety of ways to use a sketchbook. A sketchbook is as unique as the artist who creates it. I prefer to draw in my sketchbook. I made a commitment to my art a little over a year ago. Since then I have completed three A5 sketchbooks and the one for the sketchbook project. I am working on one A5 sketchbook, an A4 sketchbook I started in 2007, and a clear view folder I’m using to organise the design sketches for an embroidery series based around the eye motif.

1. As the start of my design process

Ideas and objects which I draw often are more likely to become the subject of an embroidery. Sometimes I draw or write something down as a design idea but I generally prefer to a more exploratory approach to the start of the design process.

2. I like drawing

I like drawing particularly with coloured pencils. In a sketchbook it doesn’t matter if it’s a doodle or something more formal.

3.To keep a record

A sketchbook records changes in ideas, and techniques over time.  I can already see improvements in my drawing technique in the books from the last year.

4. A sketchbook helps me cope with life

I have an anxiety disorder. There are times when drawing in my sketchbook is a necessary distraction. It is concrete. The sense of achievement is satisfying. My sketchbook has become a security blanket.

5. A sketchbook increases how often I draw

My current A5 sketchbook goes everywhere.  I draw when I’m bored in the waiting room, at a cafe with my partner, and occasionally on the train

Stitching on paper

20110509-062117.jpg

This is one of the pages I did for the sketchbook project. The paper in the sketchbook provided was particularly lightweight. Lightweight paper can be stitched easily but limits the choice of stitches. I chose to use outline stitches only to reduce the risk of tearing. Heavier paper or card can carry more stitches without tearing. Examples of embroidery on manila folders with fill stitches.

The insectoid designs are based on drawings I’d previously done in one of my personal sketchbooks.

One of the adventages of stitching on paper is the ease with which it can be comebined with other media, in this case the paint.

Artist Online Resources: Digital Life Models

Today I’m starting a new series of posts. The Artist Online Resources  posts are to draw attention to some of the best free resources on the web for artists. This first post is featuring Posemaniacs.

Posemaniacs is a website featuring digital life models in a variety of poses. Each model can be rotated through the horizontal plane. This is a great tool for the artist who doesn’t have regular access to life models. Here’s an example of how I used this tool for the sketchbook project.

Here’s the printscreen of the rotated model I used.

page 60-61

This is the sketch I drew from it.

My Art Goals For 2011

page 39

Sketchbook project page: Part of the view from my bathroom window on the first floor

I made a commitment to myself as an artist in 2010. Because this is so new the goals for 2011 focus on the creation of a body of work.

Short term goals

1) Finish my book for the sketchbook project. I have less than ten double pages left. Ideally I’d like to have it in the post on January 7 but I doubt this will be achievable because I have appointments for the rest of the week. However there is no reason why I shouldn’t have it in the mail for the 15 January deadline.

2) Finish my first commission. I’m sick of the project and what I need to do now is sit down and put the (wo)man hours into finishing the embroidery. I also feel that my client has been more patient than I deserve.

Long term goals

1) Create ten pieces of finished textile art. I have a series of sketches focusing on the eye, I intend to turn these into a textile series.

2) Create ten finished drawings in coloured pencil. These are likely to be urban lanscapes and buildings. I have many different rough drawings in my sketchbooks but I feel more confident about my landscapes than anything else. I’ve always been a city girl at heart and lately I’ve been noticing the skyline, geometry and colour of the city I live in.

Eye Motifs In My Art

The eye motif has become a recurring motif in my art. It’s the most common reccuring motif in my art. I have others. Sometimes it’s only part of the eye, even only a pupil but I draw, paint and stitch them a lot.  Here are some examples from the sketchbook project.

page 31-32

This is one of the more straight forward representations

page 44

I drew this in front of 'Lie to Me'. My partner thinks it is influenced by Cal Lightman's view of the world

page 47 - 48

An illustration of a metaphor

page 57

Eye pattern suitable for becoming textile art using resist techniques

Illustration Friday: Surreal Sunset in Coloured Pencil

This week’s theme for Illustration Friday was burning. My tangential line of thought went sunburn, sun, sunset. This surreal drawing in coloured pencil is also my latest drawing for the Sketchbook Project.

Backcover finished.

backcover

The finished embroidery on the back of my sketchbook project book.

page 1-2

Bast and Hethert (GR: Hathor) dancing

page 7

The fourth colour in the collage is pale pink

page 11-12

page 24

One of my more positive drawings

My first freeform embroidery

freeform embroidery

8 (3") x 8 (3") cm, recycled cotton and embroidery floss. Stitched from 11/7/10 - 21/7/10

Freeform embroidery is stiching whithout a specific embroidery design.  This is my first piece of freeform embroidery.  I really enjoyed stitching and freeform is becoming the focus of my embroidery.

The two design elements which surprised me the most were the scarab beetle near the centre and the blye eye on the right hand edge.

This piece is to be included in my book for the sketchbook project. I’m not happy with how it’s stuck down into the book at the moment. I’m going to redo it with a different glue. I’m waiting for the glue to arrive in the post.

I’ve done more pencil drawings and some collage for the sketchbook project. I will write about those soon.

Tomorrow I’m going to blog about two handmade postcards I made.  Current WIPs that I will blog about soon include another piece of freeform embroidery, and a beaded freeform broch.

Mini biscornu pincushion

One of the things I am working on are pincushions and needlecases in order to take better care of my tools. The first one of these I have finished is a mini-biscornu pincushion. It’s small, only  7 cm (3″) across. It is the perfect size to keep in the plastic case I store my floss in or throw in my bag with a project when I go out.

I used this tutorial to guide me in the construction technique.

The stitched design is my own. I tried some new stitches for this project. On the top is the first time I did scotch stitch and the second time I did woven stitch. Woven stitch works much better on Aida than plain cotton. On the bottom is  the first time I did parisian stitch

Biscornu top

Top of my mini biscornu pincushion

Biscornu bottom

Biscornu bottom

Biscornu stitching top

The stitching on the top of the biscornu before making up

Biscornu stitching bottom

The stitching on the bottom of the biscornu before making up

My inner world is realer than the outer one

page 22 My inner world is realer than the outer one. This is one of many truths revealed in my sketchbook. Because of this when I experience intense emotions I zone out from the real world completely. I miss my station on the train, I loose track of time….But it also gives me a strong connection to my creatively. My creatively is the spring which my art comes from. My art is about my self-expression and because of my close connection to my creativity I have a rich internal visual language to draw upon.

I have almost finished my first piece of embroidery to go into my sketchbook. It’s a monochrome freeform embroidery. Straight from my subconcious to fabric.

pages 13-14

On the left: A list of truths. On the right: A doodle.

page 18

A fish. This may be become an embroidery as part of my animal series.

page 10

page 16

A visual joke inspired by an exchange in 'Earthly Delights' by Kerry Greenwood.

page 20

I was thinking about running ink drops drawing this but it's done in pencil.